In Memory of Peter Falk: A Scene from Wim Wenders' Wings of Desire (1987)

The Messenger- Dir. Oren Moverman (2009) Film Recommendation

"We walk into these people's lives; we don't know shit."

Some say great art is universal, but I've always suspected it has more to do with the particular. What I mean is that great art invites us to step outside of ourselves in order to see the world (or a tiny fragment of it) from the unique, subjective perspective of another person (artist, narrator, character, etc.). Not only is this an inherently empathetic act, but it allows us to gain a new perspective on our own experiences, perhaps a realization that our little corner of "reality" may not be the only corner out there. The Messenger is a film that explores this idea on a number of levels.

The film focuses on Sgt. Will Montgomery (Ben Foster) who has just returned to the States after serving a tour of duty in Iraq, where he was injured by an IED while trying to save a fellow soldier. Soon, Will is assigned to the "Casualty Notification Team" commanded by Captain Tony Stone (Woody Harrelson). Their "sacred" mission is to notify N.O.K.s (next of kin) that their loved ones have been killed in combat. What becomes clear after the film's dramatization of a few of these notifications is that Will and Tony bear witness, over and over again, to a form of violence just as devastating as what Will faced in Iraq: the irreparable emotional destruction of the families they provide their "services" to.

Will and Tony deal with their mission differently, and this is where, I feel, the movie is at its most profound.  While Tony unwaveringly sticks to the official "script" and follows procedure to the letter, even refusing to engage in any bodily contact with the N.O.K.s, Will seems to feel a deeper responsibility toward them. He looks them in the eyes and does not turn away from the devastation that follows, even when it results in grief-stricken abuse toward Tony and himself. The second half of the film focuses on Will and Tony's developing friendship and Will's complicated attraction to a widow (Samantha Morton) whom he meets while delivering the news of her husband's death. While these story lines serve to develop the main characters in more emotional detail, the film seems to move away slightly from what makes it so original in the first place: a glimpse of the world from the perspective of people facing a very different "reality" from what most of us face day-to-day. This small criticism aside, the film crackles with a first-rate script and fine acting from Foster, Harrelson, and Morton- well worth seeing!

Dead Man's Shoes- Dir. Shane Meadows (2004) MP3 & FLAC

"God will forgive them. He'll forgive them and allow them into Heaven. I can't live with that."

Here's a film recommendation: Dead Man's Shoes (2004).  A fine, gritty piece of British Cinema directed by Shane Meadows and starring Paddy Considine, Gary Stretch, and Toby Kebbell. Lots of jittery hand-held camera stuff, which I'll admit, I'm a sucker for. Considine plays Richard, who has returned, after a stint in the military, to his small Midlands village to exact revenge on a group of small time drug dealers and thugs who (as revealed in a series of flashback sequences) abused and exploited Richard's mentally impaired younger brother Anthony (Kebbell in his first film role) while Richard was away.

Throughout most of the film, Richard's brand of revenge seems obsessive, hyper-violent and exceedingly cruel; however, this is all complicated by what is revealed toward the end of the film. It reminded me in many ways of Peckinpah's Straw Dogs, but with more emotional depth and insight, and as a bonus, a lot of dark humor. Great acting all around, especially Considine, Kebbell, and Stuart Wolfenden as Herbie; mind you, however, this is dark stuff! The film also has a great soundtrack featuring Calexico, Smog, Richard Hawley, Aphex Twin, M. Ward, and others, though they somehow didn't include the amazing song by Bonnie "Prince" Billy on the soundtrack album.