"I put on my coat of trumpets. Will she be there? Is my piccolo on straight?"
Hee-Haw virtually defines the term "transitional," as it pairs the earliest releases by The Birthday Party with some of the final recordings Cave & co. made as The Boys Next Door. Five of these latter songs originally comprised The Boys Next Door's final release: the Hee-Haw EP, which, with its jagged rhythms and strangled melodies, has far more in common with the exceedingly dark aesthetic of The Birthday Party than with the band's earlier work on Door, Door. While The Birthday Party's initial recordings show a new-found abandon both in terms of instrumentation and Nick Cave's vocals, several songs such as "Happy Birthday" and "Waving My Arms" only occasionally wed this new approach to a memorable melody; however, there are some gems to be found on this compilation, such as "The Friend Catcher," which bear a much closer resemblance to the legendary trashcan Goth meets Appalachia sound that the band would perfect over the course of the next few years. In theory, this "odds and sods" collection shouldn't work as well as it does, but it provides an invaluable glance into the band's transformation after leaving Australia for greener commercial and artistic pastures in London.



