"Poison's in my bloodstream, poison's in my pride. I'm after rebellion; I'll settle for lies."
What made Espers' self-titled debut so distinctive was its psychedelically-soaked reconstructions of 60s-70s era British Folk, and while The Weed Tree EP occasionally feels more like unreconstructed adoration in comparison, it, nevertheless, finds Espers taking a step forward. This is partly due to the band's expansion to a sextet, giving the arrangements a clarity and depth not found on their debut; however, the primary reason is that Meg Baird's vocals play a more featured role here, sounding more assertive while somehow losing none of their haunting beauty. If Sandy Denny and Jacqui McShee are her touchstones, Baird certainly proves she can hold her own in such company. Although The Weed Tree EP is mostly comprised of covers, the song selection is inspired. "Rosemary Lane," a song most often associated with Bert Jansch, is simply stunning, as Baird powerfully conveys the resigned despair of the song's narrator. Also memorable is the cover of Blue Oyster Cult's "Flaming Telepaths," featuring a duet between Baird and Greg Weeks, with Weeks' guitar sounding every bit as corrosive as the addictions described in the songs lyrics. A future lost classic.

